Tuesday, January 13, 2015

OSCAR PREDICTIONS: Round 2



My second round of Oscar predictions and my last Oscar predictions before the official announcements this Thursday (Jan. 15th). I have no doubt that I'm sure there will be snubs and surprises and hopefully the snubs are too drastic and dumbfounding. I'm listing them in alphabetical this time instead of ranking them in some way. I did put a * for the movie that is my top pick. That being said here is the list.

Picture:











Birdman
Boyhood*
Gone Girl
The Grand Budapest Hotel
The Imitation Game
Nightcrawler
Selma
The Theory of Everything
Whiplash

Director:

Wes Anderson - The Grand Budapest Hotel
Damien Chazelle - Whiplash
Ava DuVernay - Selma
Alejandro Gonzalez Inarritu - Birdman
Richard Linklater - Boyhood*

Actor:












Benedict Cumberbatch - The Imitation Game
Jake Gyllenhaal - Nightcrawler
Michael Keaton - Birdman*
David Oyelowo - Selma
Eddie Redmayne - The Theory of Everything

Actress:














Marion Cotillard - Two Days, One Night
Felicity Jones - The Theory of Everything
Julianne Moore - Still Alice*
Rosamund Pike - Gone Girl
Reese Witherspoon - Wild

Supporting Actor:














Robert Duvall - The Judge
Ethan Hawke - Boyhood
Edward Norton - Birdman
Mark Ruffalo - Foxcatcher
J.K. Simmons - Whiplash*

Supporting Actress:












Patricia Arquette - Boyhood*
Jessica Chastain - A Most Violent Year
Keira Knightley - The Imitation Game
Emma Stone - Birdman
Tilda Swinton - Snowpiercer

Original Screenplay:












Birdman
Boyhood*
The Grand Budapest Hotel
Nightcrawler
Whiplash

Adapted Screenplay:














American Sniper
Gone Girl*
The Imitation Game
The Theory of Everything
Wild

Animated Film:












Big Hero 6
The Book of Life
The Boxtrolls
How to Train Your Dragon 2
The Lego Movie*

Production Design:














Birdman
The Grand Budapest Hotel*
The Imitation Game
Interstellar
Mr. Turner

Cinematography:















Birdman*
The Grand Budapest Hotel
Ida
Interstellar
Mr. Turner

Costume Design:













The Grand Budapest Hotel
The Imitation Game
Into the Woods
Maleficent
Mr. Turner*

Film Editing:












Birdman*
Boyhood
The Grand Budapest Hotel
Nightcrawler
Whiplash

Makeup & Hairstyling:











The Grand Budapest Hotel
Guardians of the Galaxy*
Mr. Turner

Sound Mixing:













Birdman
The Grand Budapest Hotel
The Imitation Game
Snowpiercer
Whiplash*

Sound Editing:












Birdman
The Grand Budapest Hotel
The Imitation Game
Snowpiercer
Whiplash*

Visual Effects:












Dawn of the Planet of the Apes*
Guardians of the Galaxy
The Hobbit: Battle of the Five Armies
Interstellar
Snowpiercer

Original Score:














Gone Girl
The Grand Budapest Hotel
The Imitation Game
Interstellar
The Theory of Everything*

Original Song:













Big Eyes - "Big Eyes"
Glen Campbell: I'll Be Me - "I'm Not Gonna Miss You"
The Hunger Games: Mockingjay-Part 1  - "Yellow Flicker Beat"
The Lego Movie - "Everything is Awesome"
Selma - "Glory"*

Documentary:












Citizenfour*
Glen Campbell: I'll Be Me
Life Itself
The Overnighters
Virunga

Foreign Language:












Force Majeure
Ida
Leviathan*
Mommy
Two Days, One Night

Friday, January 9, 2015

Top 11 Movies of 2014

Now on to what I thought were the best films of 2014.

Much like in the last list I haven't seen every single movie that has been named one of the year's best. I haven't seen Selma, The Theory of Everything, Foxcatcher, Gone Girl and so on.

Now unlike last time in my Worst of 2014 article I'm actually finding it hard to properly list off the films in any order and just keeping it to 10. So for this article I'm listing off my Top 11 favorite movies of 2014. I'm also doing this in alphabetical article because as I said I can't really find a satisfying ranking of these movies. It may become a new thing for coming years. 

But first, here are some honorable mentions:

Big Eyes 
The Fluffy Movie
Into the Woods
Joe
The Lego Movie
Muppets Most Wanted
Nightcrawler 
Oculus
The Raid 2
Snowpiercer
X-Men: Days of Future Past

And since in my last article I probably made a ton of people mad by naming Interstellar the overrated movie of 2014 I'll humiliate myself by naming my guilty pleasure of the year. This year that 'honor' belongs to The Monuments Men.


Yeah, this film didn't get a lot of great criticism and it isn't exactly up to the standards of other World War II movies or movies in general. It does have some tone problems and it does rely on just the actor's name to develope a personality for the characters. But with all that I don't think it's as bad as many were saying it was. I did enjoy the characters who were performed by interesting people, except for Matt Damon's character who was fairly bland sadly. But also I think the reason I liked it was that it was telling a rather unknown story of World War II, something that probably does deserve to be talked about. But if the movie doesn't satisfy you there's always the book by Robert M. Edsel

Okay, let's get down to it. In alphabetical order, my 11 favorite movies of 2014.



Birdman - Dir. Alejandro Gonzalez Inarritu
If this movie helps reignites a main stream popularity for Michael Keaton I will be more than happy. This film features a series of great performances from pretty much everyone in the film. With its almost surreal atmosphere it creates this whole new world for the main characters and we get a sense of how's he feeling and why it's happening. It is a really strong film with some strong performances for some great characters.





Boyhood - Dir. Richard Linklater
A last minute inclusion and the film that is making pretty much every critic's best of list, and with good reason. The film that tells a coming age story as the actors come of age. This is probably the most realistic movie ever displayed on film, it doesn't try to sugar coat anything about life. This family seems like a family that could actually exist and the stuff they go through are actual things. I think the fact that Richard Linklater made this over 10 years adds to it. I'm not sure what else I can add to it. This is a film that kind of has to be seen to be believed. 





Captain America: The Winter Soldier - Dir. Anthony & Joe Russo
I'm going to say, this is the best Marvel movies. Yep, better than The Avengers. I'm not just talking about from an action standpoint, it is marvelous in that regard, but it is also great from a story aspect. It ups the danger and truly takes advantage of the fact that Captain America is in a different time period. I also love how it deals with the themes of survivor's guilt and PTSD and it handles this without having the characters message it to you in forced dialogue. Great characters, dialogue, action and story, this is the best Marvel movie as of right now. 





The Drop - Dir. Michael R. Roskam
A film that seems to be forgotten by a lot of critics. The only other critic I've seen listing this in their best of list was Richard Roeper. To me this is one of the films that was battling for the top spot because this was honestly one of my favorite films of the year. Tom Hardy gives a fantastic performance that deserves praise and attention. James Gandolfini as gives an amazing performance in his final film. It is a great story that takes a new twist in mob related stories. Again, I feel that my words won't do it justice, you have to see it to get to the feeling. 





Filth - Dir. Jon S. Baird
Technically this was released in 2013 but it got released in America in 2014 so I'm counting it. I loved this film. James McAvoy further cements himself as one of my favorite actors by playing this great anti-hero. He brings this despicable, drug fueled, narcissistic yet sympathetic Scottish inspector to life and goes all out for this role. While it may not be everyone's taste I can't help but love it. Also it introduced me to the Billy Ocean song Love Really Hurts Without You and for that I'll forever be grateful to this movie.   





Fury - Dir. David Ayer
The GOOD 2014 David Ayer movie. It takes a very brutal look at an untold chapter of World War II, the tanks. It not only looks at what war can do to someone physically but also at what it can to do some psychologically. You see the leader of this tank squad (Brad Pitt) trying to regain some sense of humanity as he is clearly worried about adapting to civilian life. He wants to make sure that the new guy (Logan Lerman) doesn't lose it either. It also features spectacular action scenes and the actors display great chemistry between each other.




The Grand Budapest Hotel - Dir. Wes Anderson
This was another film that was battling for the number one spot. While I do love this film I was debating for the longest time as to why I loved it. I enjoyed a lot of the technical aspects. The sets were great and distinguished, it was shot wonderfully, and it had plenty of great performances mainly Ralph Fiennes. But then it came to me, this reminded me of the two 70's Agatha Christie movies: Murder on the Orient Express (1974, dir. Sidney Lumet) and Death on the Nile (1978, dir. John Guillermin). It has an all-star cast, similar atmosphere (sort of) and setting, a murder-mystery, with a good amount of suspense and comedy. Yes, I know this film was inspired by the works Stefan Zweig but I got the vibe of the films from this and because of that I love it even more. 





Guardians of the Galaxy - Dir. James Gunn
Pure, unfiltered fun. While Captain America: The Winter Soldier is the best Marvel film in my opinion this one follows very close in second place. Mainly because it was just a fun movie with fun characters, amazing set pieces with great action and of course that awesome 70's soundtrack which will always be a plus in my book. What else can I say except it is a ton of fun, go see it if you haven't already. By the way, I freaking love the poster for the movie. Look at its glory!





How to Train Your Dragon 2 - Dir. Dean DeBlois
This was a pretty good year for animated films. For me though the strongest of the bunch was this one because it continues from the original (& awesome) film without retreading old ground or negating anything that was learned in the first film. It also makes the smart choice to have the hero, Hiccup (Jay Baruchel) grow up a little and have it deal with themes of maturity and taking responsible. It's also a movie that takes chances in the story that I will admit I didn't see coming. This is a really good film and let's hope that it continues into a good franchise.




Whiplash - Dir. Damien Chazelle
Another film that battled for the top spot. This film not only gives us a great and terrifying performance from J.K. Simmons, it's also a movie that's the makes the audience ask questions: What are the limit to pursuing a dream? Should you cut social ties so you can concentrate on it? If you're trying to support someone how should you do it? Should you push them? If so can it go to far? Is complementing them just pandering and not helping? Do the ends justify the means? Yeah, I basically just repeated a good chunk of my review but still that's what makes the movie so strong.




Wild - Dir. Jean-Marc Vallee
This last entree on the list was one of the last films last year. The movie that takes us on one woman's (Reese Witherspoon) journey to rediscover herself and go through the mourning process. A clever film that uses the hike as the way to tell her story as we start with her hike and end with her hike, in the middle we see her stream of consciousness as way to dispense what motivated her to do this. It was also kind of motivational in a way.

There are my picks for the best of 2014. Agree? Disagree? Let me know in the comment section. 

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Monday, January 5, 2015

Worst of 2014

Time for the annual best and worst of the year lists. I'm going to start with the worst of the year because I want to get all of the negatives out of the year.

I've probably stated this before but when I make these kind of list it really is more of a 'least favorite' list. I'm sure others were weaker in writing, acting and etc but it just comes down to whether or not I would sit down and watch this movie again.

Also keep in mind I haven't seen a good chunk of the films that have been called "bad". For example: I haven't seen Left Behind, the Endless Love remake, Annabelle and I sure as hell haven't seen Saving Christmas. Because there is no way Kirk Cameron is getting any of my money.

Also, this is just my own personal opinion. If you disagree with my opinion that's fine, I will never take away any amount of enjoyment you got from a movie.

Before we get to the top ten I'd like to present you with my pick for...

OVERRATED MOVIE OF THE YEAR:

This year that "honor" goes to Interstellar. Yeah, I'm sure I'm going to get a lot of comments about this choice (I'd expect that for this category in general) but I'm sorry folks I just didn't enjoy the film as much as everybody else. I'm not saying that the movie is bad. It is shot well, it has some great special effects, and some wonderful performances (Jessica Chastain was the best in my book) what killed it for me was the forced 'love conquers all' stuff that just made me roll my eyes. I'm not opposed to love being a theme in a movie I'm not a heartless prick, but in this film it just hammers it into your head. There were so many moments when Nolan crams in unnecessary dialogue about the power of love and yet he still wants the movie to be taken seriously from a scientific standpoint. I'm sorry but no. In my book you can't be all "this is a super duper serious science movie" and then be all "Emotions are great! There's no greater power than love! The meaning of this scene is..." Also, a robot with a humor chip... seriously. I could go on about this film but this is segment is far longer than it should. If you liked it that's fine, I just didn't.

Now to the main attraction:


10. The Legend of Hercules
This is a last minute entree into the list. This film has been on practically every critic's worst of the year list, and with good reason. I am baffled as to how this movie was released into the cinemas. The cheap special effects, the hammy acting, how on Earth did this get a wide release? I'm sure some of you are wondering why this is so low on the list when it's apparently an extremely terrible film. The main reason is because this movie was HILARIOUS! If anybody out there has a bad movie night then do yourself a favor and watch it. Also, I hope Rifftrax releases a commentary for this movie. 




09. The Expendables 3
A PG-13 rated film, in a franchise that put a lot of pride in its R rated violence. They apparently forgot that "PG-13 is for p***ies!" Ignoring the watered down action the film still pretty disappointing in the story. Yeah, you heard me. The other two films had very basic plots that could keep the audience interested in them and care a least a little bit, this film just tries to juggle too much. By that I mean the cast. The movie has a total of 17 cast members that get crammed into this plot that is trying to be about old vs new but just comes out a jumbled mess and doesn't really do anything with the theme. The closest it comes to old vs new stuff is with Jason Statham and Wesley Snipes (who was technically an 'old' member). Also, I can't remember the young cast members. Nothing makes them stick out, and they don't even have the name value that at least some of the cast members have. So this is without a doubt the weakest link of the series. By the way, The Expendables 2 (2012, dir. Simon West) is the best of the trilogy.



08. I, Frankenstein
The first 2014 movie I saw this year ended up on this list and that shouldn't surprise anyone. The film's story is just boring which wouldn't make it too bad but the supposed allies of our protagonist are just awful! They turn their allegiance for the hero on the turn of a dime, and the fact that every single bad thing that happened to them was their fault makes it stupid when they place blame on Frankenstein (Aaron Eckhart)! Outside of that, the film is just lame.




07. The Identical
An Elvis Presley biopic except not. This is one of the most bizarre films that I've seen this year, and that's saying something considering I've seen a film about a world of where the inhabitants were Lego people, talking apes, and a movie with a talking raccoon and his tree body guard. This movie expects us to believe that the main character could make an extremely successful career for himself by being an impersonator of a guy who is essentially an Elvis ripoff. Also, we're suppose to believe that neither of those two find it odd that the two look and sound exactly the same! Like I said, it is a bizarre film.



06. Transformers: Age of Extinction
Yeah, yeah, yeah, Michael Bay is on the list I'm sure you guys saw that coming. But in this movie's defense I will say this, it isn't as bad as the other films. Which I know isn't saying much but trust me I would rather watch this film than the second film (I can't say the same about the third movie, because I haven't seen it). Mark Wahlberg is a much more appealing lead, and I can actually tell the Autobots apart, though sadly its only because of their voice actors. But outside of that the movie still has a lot of Bay's usually tropes. Annoying characters who serve no real purpose in the movie, extremely cliched emotion cues through camera shots or slow-motion, and an overly complicated plot involving some ancient plot device. Seriously, why not just a basic 90 minute film with the two teams of robots fighting each. Is it that complicated? Just stick with Transformers: The Movie (1986, dir. Nelson Shin) and Pacific Rim (2013, dir. Guillermo del Toro). 




05. Teenage Mutant Ninja Turtles
While this is in no way the worst thing in the Ninja Turtles franchise it didn't really do it any favors. The biggest problem with this film is that it rushes. It doesn't take the time to rest and let the audience get to know these characters and what's going on. It feels like they used the first draft of the script for the film. And say what you will about Michael Bay as a director, I can at least tell what's going on in his action scenes. Whereas Jonathan Liebesman moves things so fast I can't tell which turtle is fighting or where they're at in this fight in relation to other characters. As I said, while this installment is far from the worst thing in the franchise, it was a big missed opportunity.



04. Maleficent 
I'm going to get some flack for this. I know that there are people out there who really like this film, many of whom are friends of mine. As for me, obviously I couldn't stand this movie. I'm not going to pretend that the original Sleeping Beauty was a work of really deep art or that it was a movie that broke a lot of tropes and was a groundbreaking movie but it made up for it with charm and a great style that hasn't been duplicated in any other Disney film. I'm not opposed to having a back story for villain characters but instead of making an interesting and complex story involving Maleficent, the King, and the Fairies (By the way, I LOATHE what they did to the three fairies) we got a really cliched story that is trying to be the "real story" of Maleficent where she's just a bland misunderstood outcast. Oh, and it tries to cram in a plot twist that Frozen did better. If you ask me, obviously I'd say stick with Disney's original film which, again, admittedly isn't that deep and complex story wise but it makes up for it with really compelling performances, music and animation.




03. Sabotage
While David Ayer is listed as one of the writers and the director this movie I think the blame for this film's disappointment goes to the co-writer Skip Woods. Given that he's also the writer responsible for X-Men Origins: Wolverine (2009, dir. Gavin Hood) and A Good Day to Die Hard (2013, dir. John Moore) there's enough evidence to support my hypothesis. While many elements of Ayer's style and writing are present this film just has an extremely confusing plot involving the murders of DEA squad members, cheating spouses, drug use, avenging a loved one's death, and a mystery involving stolen money. Also, the characters are so annoying with their overly macho personas that I can't find any sort of sympathy for them. Even if you don't like other David Ayer movies you could at least say you understood where the characters were coming from and find them enjoyable in their own way. These guys? Nope I couldn't care for them in the slightest. The only character I really liked was Olivia Williams.  I recommend you go check out Fury or End of Watch as an alternative.




02. Transcendence
A movie that basically asks the audience to root for terrorists towards the end of the film. The film itself is just blase and kind of boring but towards the end we're suppose to believe the stuff spouted by a group of people who are responsible for the deaths of several innocent people are right and should be rooted for. And the people at the beginning who were killed by them, they had nothing to do with what Johnny Depp's character was doing. True they were working for him and doing research on A.I. material but they weren't involved with him uploading his brain into a computer, or the shady stuff he was supposedly planning. Yes, they try to do the whole "look at what you've done" sort of thing, but there isn't even anything saying they got arrested or even that sense that they were wrong. Other than that the movie tries to be all about we're too dependent on technology and stuff like that but it doesn't really go anywhere with it. And again, it's boring. I say just watch the South Park episode "Trapper Keeper". 




01. A Million Ways to Die in the West
Basically take every weak element of Seth MacFarland's work in recent years and you've got this movie. A plot that barely exists, jokes that go on far longer than they should, unlikable characters, pop culture reference that don't add anything, and countless other things. But I think one thing that kills it for me is that this was a Western, my favorite genre. I know that sounds like a lame reason but I can't lie, it does bum me out. Westerns are a rare thing to see in movies, they usually get a limited release or are on demand. Well, we finally get one in theaters and it's this one! Nope, not The Homesman the movie with an all-star cast and was made by filmmakers who have a more than decent resume and has been getting decent reviews. No, that gets a limited release and in the instead we get the film with an acid trip like scene involving CG peeing sheep! Aaahhhh!!

And that's my ten worst of the year. Again, if you liked any of the movies on this list then that is perfectly fine. I will in no way take away your enjoyment of the movie. For me personally these films just didn't cut it.

Feel free to list what you thought were the worst of 2014. Stay tuned for my best of 2014 list.

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Thursday, January 1, 2015

Quadruple Feature Part 1: Big Eye & The Imitation Game

As the year comes to a close I finished up the year with four, yes FOUR, reviews. Three of them were the winners of the poll I sent out and the fourth film is one I saw with my sister earlier. First up...



Big Eyes
D: Tim Burton
W: Scott Alexander, Larry Karaszewski
S: Amy Adams, Christoph Waltz, Danny Huston, Jon Polito, Krysten Ritter, Jason Schwartzman, Terence Stamp

Tim Burton brings us his latest film which is based on the real story of Margaret Keane (Amy Adams) and her famous Big Eye paintings, and the scam involving her now ex-husband, Walter (Christoph Waltz), stealing the credit for the paintings. I would give a spoiler warning but chances are you've probably looked up this story or you've seen the CBS Sunday Morning special about it. But I digress.

This is a film I've been really looking forward to seeing since I first heard about it earlier this year. It's a Tim Burton film that doesn't star Helena Bonham Carter and Johnny Depp, it isn't a reboot or remake, and the script was written by the same guys who wrote the screenplay for not only my favorite Burton film but one of my favorite films of all time, Ed Wood. By the way, if you haven't seen Ed Wood, as soon as you're done reading this post go out and watch it!

How was it? It was pretty damn good. A fairly strong script, great performances, and did a pretty good job at portraying the psychological torment that Margaret Keane went through.

The biggest theme of the film is without a doubt lies and deception, which was the thing that probably bothered Margaret Keane the most in her career. At first she compromised with the lies just to help get money so she could help support her daughter, from her first marriage. But as the paintings grew more popular she had a hard time not only dealing the fact that her husband was stealing credit for something she created but she was lying to her daughter which bothered her more than anything else.

Now I'm not sure if this next part is intentional or I'm just over thinking but it seemed to me that there was a lot of focus on the character's eyes. Something about the lighting, or maybe it's the way it was shot, but it seemed to have focus on the eyes. Margaret points out in the film that she sees the eyes as, "windows to the soul," and you can get the emotions from the characters just by the look in their eyes. It could just be me.

This is probably Burton's strongest film since Sweeney Todd. I don't think the movie is as strong as Ed Wood but I do still recommend it.


The Imitation Game
D: Morten Tyldum
W: Graham Moore
S: Benedict Cumberbatch, Keira Knightley, Matthew Goode, Mark Strong, Charles Dance, Allen Leech, Matthew Beard, Rory Kinnear

Another biography film, this time it's about the famous British mathematician Alan Turning (Benedict Cumberbatch). The movie tells of his achievements during World War II when he helped create a machine that decoded the German's signal codes. It also looks at bits of schoolboy days and his post-war life when he was arrested for tried for "gross indecency" aka being a homosexual.

As this film stands, well it is a very basic biography film about a guy that is worthy noting. The problem is the script. It does contain very similar tropes that appear in a lot of biography films. He's a loner, there's a disapproving authority figure, potential love interest, a rival who then becomes a friend etc. etc.

Also the script tells the story in a non-linear style. It starts off in the 50s then goes to WWII then to Turning's chilhood and keeps jumping around almost randomly. Maybe that's how it was done in the original book that the script is based around but it just seemed weird to me.

So why are people going nuts over it? Well I can say that it is pretty much due to the performances, mainly Benedict Cumberbatch. I am convinced that this man can do no wrong. Every moment with him is outstanding. He is able to make Turning sympathetic, frustrating, and portrays him as an actual person. So many biography films the creative team just make their subject matter an angel. But with this film I think we can credit Cumberbatch a lot with for the performance.

While it doesn't do anything grand or new with the script the film is still worth watching for the performances, mainly from Cumberbatch. 

Quadruple Feature Part 2: Into the Woods & Wild



Into the Woods
D: Rob Marshall
W: James Lapine
S: Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine, Tracey Ullman, Christine Baranski, Johnny Depp

The Tony Award winning Broadway show Into the Woods by James Lapine and Stephen Sondheim goes from the stage to the silver screen. The story takes place in a magical world where almost every fairy tale characters seemed to live and in this magical land lives a baker(future Late, Late Show Host James Corden), and his wife (Emily Blunt) who wish for nothing more than to have a child but are sadly unable to. That is until their neighbor The Witch (Meryl Streep) pops in a tells them that she placed a curse on their house preventing them to have a child and that she'll lift the curse if they can bring them a list of item needed to make a potion. Through their journey they come across Little Red Riding Hood (Lilla Crawford), future beanstalk climber Jack (Daniel Huttlestone), Cinderella (Anna Kendrick), and many others.

I remember seeing my high school put on a production of this back when I was in middle school and I recall liking it a lot. I guess it was because I liked the idea of these characters existing in the same universe and how far it extended. Like maybe they'd run into Dorothy from The Wizard of Oz, or the Seven Dwarves, stuff like that.

But what about the film? Surprisingly I dug the hell out of this film, a lot more than I thought.

I can't speak from the aspect of Broadway lover, as I said I've only seen a high school's rendition of it 10 years ago, so I won't be surprised if there are fans of the original show who find this movie absolutely terrible.

But I think a big reason I enjoyed it is the themes and what it does with the story. This is a story that shows that 'Happily Ever After' may just be a short term result, that their maybe long term consequences. That's a pretty mature message.

Now I'm not some pessimistic Mr. Grumpy Gills who thinks life is all sad and torture and life sucks cause a girl turned me down and so on. The film shows that fairy tales are good for getting a message across, there maybe other conflicts down the road, emotionally or psychically.

I think my favorite moment in the film is in third act, SPOILERS, when the Giant's Wife (Frances da la Tour), is causing mass destruction throughout the land to avenge her husband's death, Cinderella is told that her now husband, one of two prince charmings in the film (Chris Pine), was flirting with the Baker's Wife. They part ways with the Prince saying, "I shall always love the maiden that ran away." and Cinderella responding with, "And I the faraway prince." That speaks to something very realistic that happens in the world. We do want those who are out of reach, and we'll do whatever it takes to get them. But happened if we do get them? But even then we'll always love the idea and keep it within us as a little bit of hope.

Also since this was produced by the Disney Company I really appreciate how they didn't just make the characters look like the Disney equivalent and kept the dark tone, especially with Cinderella's story.

But that's only part of a musical, the other parts are the performances and songs. I can speak as a song expert but I did enjoy them in their own way, and the performances were pretty good. Everyone who sings does a pretty good job with their respected roles. The most surprising was Chris Pine as Cinderella's Prince. I mean when you head about the new Captain Kirk acting in a musical you all thought he'd be just there because he looks the part and probably won't sing. But he does a pretty good job in the role and is a pretty good singer. I won't lie I actually pulled out my phone a checked to see if there was anyone dubbing his voice, it has happened in the past even with the most notable musical films. But I've seen nothing to indicate otherwise, so bravo to you Captain. You're certainly better than the previous commander.

But as I said the others are just as good. Meryl Streep continues to be a non-stop source of talent and the massively underrated Emily Blunt fits her role perfectly. I think the only one that wasn't as grande in my book was Lilla Crawford as Little Red Riding Hood. She didn't give a bad performance its just that she seems to be stuck in Broadway mode. The best way I can describe it is like that this, guess when Red's part comes in.

"Into the woods to sell a cow-"
"Into the woods to get the money-"
"Into the woods to lift the spell-"
"To make the potion-"
"To go to the festival-"
"INTO THE WOODS TO GRANDMOTHER'S HOUSE"

See what I mean?

The only other complaint I have would be that there doesn't seem to be any real boundaries for the song. Also, Johnny Depp's portray as the Wolf, it is so bizarre. I usually like bizarre and weird but it just sticks out like a sore thumb. I get they're going for a stage show feel by having an actual human portraying the character but having him dressed as a combination of a Tex Avery wolf and wolf from the BBC version of The Lion, the Witch and the Wardrobe. And I think I just got +10 in obscure references. 

Other than that I did really enjoy this film, more so than I thought I would. 

Wild
D: Jean-Marc Vallee
W: Nick Hornby
S: Reese Witherspoon, Laura Dern, Thomas Sadoski, Gaby Hoffmann

The finally the fourth film, Wild. Jean-Marc Vallee, dips into the biopic pool again with noted English novelist Nick Hornby as writer and Oscar winner Reese Witherspoon as the lead in Wild. The story of Cheryl Strayed (Witherspoon) a woman who went on a 1,100 mile hike as a way to rediscover herself following the death of her mother (Laura Dern), her divorce, and after years of drug abuse and other destructive behavior.

This in a lot of ways this film does have a lot in common with Vallee's previous film, Dallas Buyers Club. Both stories are based on true events and both films deal with flawed humans who act reckless and think they have stuff figured out in a way only have a unfortunate event (for Strayed's case a series of unfortunate events) and then having to rediscover themselves. This is not me saying they're the same film, they aren't. Each film have their own elements and are good films on their own. 


Dallas Buyers Club dealt with the subject the of oppression against the LGBT community while the film studied our overly macho cowboy lead, while Wild looks at a woman who is trying to proove herself while going through the mourning process and tries to rediscover herself during a rough part of her life.

This film starts the hike when Strayed started the hike and ends when she finishes, during her hike we get a series of flashback which tells her back story, I think it is honestly really clever. We go on the hike with her, we see her thoughts and we hear her internal monologues as she hikes. On that note, we have to be honest with our selves we'd be saying the same thing she says in the movie. I'm not talking about the deep thoughts about her parents, ex-husband and such but I mean her almost endless fountain of frustrated swearing.

The whole hike itself can be seen as symbolic. Its symbolic of a person's road to recovery or bettering one's self. One of the first scenes is Strayed checking into a hotel and preparing herself for the hike can parallel us prepping for to make a change in our lives. Then her trying to put on her heavy backpack can be seen as a parallel as us trying to get actually started. Finally, her first couple miles as she struggles she says to herself, "I can quit at anytime," and looks back at her starting point but keeps going because she'd probably kick herself for giving up. That's something I'm sure we all have been through.

There's also I nice motif going on with songs. Several points in the film she sings to herself and it transition into a flashback. Probably the best example of this was with the Simon & Garfunkel song Homeward Bound.

If I did have any little problem it would be that some moments the dialogue and inner thoughts basically become exposition for the audience. But that's a pretty minor thing.

This is a really good film and it is definitely worth seeing, especially around the beginning of the year.

Originally I said I enjoyed Into the Woods the most out of all these films I saw but thinking about it more, I think this was my favorite film of the four.

What about you?

My travel watching and reading lists (and some road trip songs)

 I'm leaving on a big roadtrip and I just wanted to share what I've got on my to-watch list while I'm on vacation, my reading li...